Allegories of Blood: Comparing Picasso's Guernica to Gericault's Raft of the Medusa

For centuries wileists have moved audiences through the use of pictures. As swearword progressed those images became more and more demanding of the viewer until they were meant to invoke a somatic response. Perhaps the earliest account of such emotion anyy lead artwork is the 1818 piece, Raft of the Medusa, by Gericault. As time progressed expedite became more policy-makingly aw ar and involved and generations of art exhibit this. Picassos Guernica, created in 1937, is a great example of how modern times shortly saw a peak in the event of representative and politically packed artworks. Gericaults The Raft of the Medusa and Picassos Guernica are both horrifying accounts of the nature of men, that aimed to alter a viewers political perception. The inception of the 19th century saw the emergence of a upstart more emotional, deeply inflective, and oftentimes mystery unionise of art - that of Romanticism. Born in 1791 to middle-class French landowners in the shrimpy tow n of Rouen, the Gericault family moved to Paris when Theodore was five. He be direct in Paris but was indifferent to all subjects further drawing and classics. Although his father disagreed with formal artistic training, with his flummox and uncles ease Gericault secretly began studying under military and horse-genre puma Carle Vernet in 1808.

1 In 1811 Gericault entered his first art rival that prompted him to, shortly thereafter, break from his master, Vernet, and study the classical masters on his own. He would sit in the newly constructed Louvre and feign the paintings of the honest-to-goodness masters, namely those of Rubens, until 1812 when he w! as expelled from the museum for assaulting a student. 2 Gericault continue his studies, winning up interest in the Napoleonic government. In 1812 he entered his first Salon in which he took a gold-medal for his Charging... If you destiny to get a full essay, order it on our website: BestEssayCheap.com

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